Hang around book-nerds types long enough and you’ll hear them mention the word “subversive.” Subversive themes, subversive protagonists, subversive…well, you get the picture. Now, before you decide all English professors and book-club members need to be on some government watch list, what they’re talking about are the aspects of a story that make you rethink your assumptions. Part of this rethinking is part of any mystery or detective story. But some literary detectives succeed because they subvert the assumptions other characters make about them. Like that lovely old snoop, Miss Jane Marple. Early Detective Subversives In Agatha Christie’s stories, Miss Jane appears to be the quintessential English Spinster. She gardens, she bakes, she wears nothing but tweed (I think) and she lives in a small, English Village. The kind of lady most people expect is sweet and rather naive. But beneath those fluffy curls and an abominable hat sits an observant and cynical brain. Not much gets past that shrewd, old dame. And when she comes up with some pithy, insightful observation, she subverts the other characters’ expectations. See what I mean? But if Miss Jane set the standard of the unexpected detective, she’s had lots of followers since. One of my…
Detective Fiction’s First Odd Couple There are all kinds of mystery stories, filled with all different types of detectives, but if you’re going back to the roots of the mystery series types, the Granddaddies of them have got to be Holmes and Watson. They’re the original Adama-&-Eve, Mutt-&-Jeff, Odd Couple detective team and the template they set up is fierce. An Early portrait of the Dynamic Duo Thank you, Wikipedia! The most noticeable team member is Sherlock Holmes, the world’s first and foremost consulting detective. Brilliant, acerbic, and emotionally detached almost to a pathological degree, he’s the star of the series and he knows it. But Holmes isn’t chasing villains for glory or cash; he’s in it for the fun and the science. Believe it or not, Arthur Conan Doyle introduced the world (and law enforcement agencies) to the world of criminal forensics through Holmes’s obsession with crime scene details and deductive logic. But, if Sherlock Holmes is so great, why did the author need Watson? Simple. Watson is the person who needs to tell the story because that’s the last thing Holmes would do. If “The Great Detective” decided to write up his adventures, what would he emphasize? Would he capture the…
So, I’ve been thinking…. (Yes, I have! If you wonder where I’ve been for weeks and weeks, I’ve been lost in the woods thinking. And, despite the heat of the oncoming summer, I believe I’ve come up with a thought.) Of all the fictional genres out there, one of the most-popular (if not the most) is the mystery novel. I’m not sure what it says about humanity, but almost half of us who read for enjoyment, find nothing more relaxing than curling up with a story about murder and mayhem. Maybe we like these stories because of the implicit drama involved, or we like the good guy/bad guy aspect. Maybe it’s the aspect of solving puzzles we favor. For whatever reason, a lot of people like mysteries. And some of the most successful mysteries are part of an ongoing series. Go hang out with a book club or the mystery/thriller section any bookstore around, and you’ll see what I mean. Sooner or later you’ll hear someone ask about “the latest Alex Cross” or “the next Kay Scarpetta,” which can sound a little odd, to a newbie. Fact is, both names belong to fictional sleuths who each star in their own best-selling series of mystery…
It’s been foggy as all get out this week. I don’t mean one of dark, pea-soup fogs that blacken city centers for days, but a daily, thick, white, winter mist that layers everything outdoors in microscopic droplets and obscures any object more than 30 feet away. Fogs that makes the world seem even colder than it is. We’re talking weather an English Teacher can use to lecture about creating “atmosphere.” Well, fog works in stories, doesn’t it? The very nature of the phenomena creates confusion, where good things and bad are hidden, and individuals are isolated. Writers have been using fog as set-dressing, plot-device, and symbols for longer than I care to think about. Since we’re stuck inside until the sun breaks through, why not take a look one or two stories that turned these earth-bound clouds into art? Fog and England have been associated for so long, it’s practically become a cliche. Yet, if you are talking about bright, white, fog, forget about the stories of London. The soot and sulfur-filled clouds that permeate Bleak House and every Ripper tale ever written are peculiar to the city. Instead, look toward the southern coast for one of the greatest Gothic stories…
Yesterday was the 65th anniversary of Queen Elizabeth’s accession to the throne. It’s an incredible milestone, one no other ruler of England has attained, and she deserves all the honor and respect she gets. The woman has seen a lot of changes during her reign, but that’s not what England should celebrate today. Today marks the 205th birthday of Charles Dickens, one of the most influential Britons and writers of any time. He didn’t just watch the world change, he changed our language and world with his stories. He was the literary Colossus of the Victorian Age, and his influence is still felt today. Dickens in his early years The life of Dickens holds enough drama to fuel a multi-season mini-series. His terrible childhood has become so well-known we label all other impoverished, chaotic beginnings as “Dickensian.” The funny thing is, he tried to hide these facts for years. Destitution was considered a social and character defect in the Regency and Victorian Eras and Dickens spent much of his life’s energy trying to get as far away from his impoverished past as he could. That drive turned him into a law clerk, a court reporter, a freelance journalist and finally…