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Name It and Claim It: Summer Sisters
I know a Good Story / May 23, 2017

If you went to camp as a kid, did you wonder what the counselors did in the evenings? Speaking for myself, that’s when I learned to play Name it and Claim It. Are you familiar with the game? One person sings a few lines from a song, and if you can either join in singing or identify who made the song famous, you win. Sort of. See, knowing the song was usually a sign of how old you were and, although most of the staff were all still in college, advanced age wasn’t an honor we were all that anxious to grab. I haven’t played the game in years. Yet, Name It and Claim It was the first thing that came to mind as I read Judy Blume’s Summer Sisters: A Novel.  In so many ways, it’s a Gen-Xer’s version of We Didn’t Start the Fire. In a way, this is entirely appropriate, since Judy Blume was the writer for many Gen-X women at an early point in their lives. Her Middle Grade and Young Adult stories steered many of them through the horrible, hormonal adolescent years until they grounded safely into adulthood.  That’s no small task, and many grown women remember Blume because of the…

Because Everybody Loves a Good Fight

A lot of people spent the last eight Sunday Nights watching Ryan Murphy’s TV series, Feud, and I think I know why.  First, it was a quality product: well-written, acted, edited and produced. It was also an intriguing story about well-known people in a fascinating industry.  My mom, with her collection of books on the Golden Age of Hollywood, would have raved about this series, either praising or vilifying it to High Heaven.  But, mostly I think the title explained why people tuned in Sunday after Sunday and can’t wait for the next season: everyone loves to watch a good fight, and the nastier it gets, the better.  In case you are experiencing Feud-withdrawal, and you like a battle of wits, may I suggest Literary Feuds: A Century of Celebrated Quarrels?  Trust me, when it comes to insecurity and ugly behavior in public, writers are pugilists with words. Take one of my favorite battles in the book, the one between Lillian Hellman and Mary McCarthy. You could argue these two, like Bette Davis and Joan Crawford, might have made better allies than enemies. As creative writers, political liberals, and women succeeding in fields still dominated by men they would have profited from…

Revelations about Revolutions

For the last two years, popular culture has been increasingly influenced by the musical, Hamilton. First, at the Public, then the Richard Rodgers Theatres in New York and now on its first national tour, Hamilton has garnered more acclaim, and awards than any show in recent memory (I think the last show to pick up the Pulitzer, as well as the Tony and the Grammy for Best Musical was How to Succeed in Business Without Really Trying).  Nevertheless, this polished, game-changing production did not appear, full-blown overnight. Hamilton had a long, slow, evolutionary journey, and the story its creation is almost as fascinating and complex as the subject, itself. Thanks to its composer, Linn-Manuel Miranda, and columnist/critic Jeremy McCarter, we have an insight into that creative journey through the book, Hamilton, the Revolution.  Reading it doesn’t leave you thinking (ala The Grateful Dead), “What a long, strange, trip it’s been.”  It reminds us how good minds, and generous natures, can create works of genius. Take one feature of this revolutionary musical, its employment of Hip Hop and Rap. These were chosen, not just because the composer knew and loved the mediums but because he knew they were the best modes…

The Story My Mom Would Have Loved

How to talk about a story with the improbable title of The Guernsey Literary And Potato Peel Pie Society?  That question’s been baffling me for days.  I have to talk about it because it’s the best book I’ve picked up in recent memory, and it has not one but several stories worth telling.  I want to talk about it because it refers to may subjects I hold dear.  But, more than anything, I want to say this is one book my mom would have loved. As a girl, my mom spent two years in England, before the Beatles but after the War.  To say those years made an impression on her is like saying the Colorado River had an effect on some of the topography in Arizona.  For the rest of her life, she maintained a lively and affectionate interest in the fortunes of Great Britain and everyone who had ever lived there.  But, even though she saw England recovering from World War II, I don’t think she knew about what happened to the Channel Islands during the conflict.  I know she never mentioned it to me.  That’s one reason why The Guernsey Literary And Potato Peel Pie Society is so important. We…

Updating the voice of a Racing Thriller : A Plea to the Estate of Dick Francis

Mr. E. WilliamsJohnson & Alcock Ltd.Bloomsbury House74-77 Great Russell StreetLondon, WC1B 3DA Dear Sir: As the literary agent for the estate of Dick Francis, you probably receive too many letters concerning his novels and I apologize for adding one more.  However, this letter is not to ask for licensing, reprinting, film or merchandising rights; nor does it demand Felix Francis be locked away until he creates six new books.  It is a request that some of Dick Francis’s thrillers be re-recorded and released as audiobooks in order to protect the stories as well as their prospective audience. I realize book recordings were probably something of a publication afterthought when these books were originally released, and the process involved little more than recorded speech.  I know, I just spent an excruciating weekend listening to Odds Against being read like it was a shopping list.  All of the tension, terror, irony and humanity was drained from the narrative and although each character had an individual accent, they all spoke at the same rate and pitch. As a suspense novel, this recording it could have been marketed as an effective sleep-aid medication. I’m female, American, and an amateur performer but I could have done a better job reading than that!…