I’m a big believer in role models. While we are growing up, we emulate the behavior of those we admire, hoping we’ll be admirable too. Eventually we sort our our own priorities and personalities but until then, it helps to have someone to follow. Given all that, I probably could have picked a better person to imitate than Lillian Hellman. For one thing, Lillian Hellman was a professional dramatist and I don’t like her plays. As dramatic vehicles they are “theatrical” pieces where characters quiver, thunder or plot but rarely come to any realizations and the plays are aging as well as my old Earth Shoes. In other words, not. So Lillian’s plays are out. Her integrity was attacked often and well, most notably when Mary McCarthy said, “Every word she writes is a lie—including ‘and’ and ‘the.’” Those who tracked down the details suggest there’s some exaggeration in Miss Mary’s statement but not enough to acquit Miss Lillian. So she wasn’t a good example there either. Nevertheless, I was looking for a unique voice and shimmering images of words when I found Lillian Hellman’s An Unfinished Woman. One role model, made to order. An Unfinished Woman was popular around the…