Everyone remembers people and events that shaped and changed their lives. Long after they leave the world’s stage, these individuals and events inform and direct us through memory. That’s how I feel about Neil Simon’s plays; they are touchstones from my childhood. That’s reasonable: when I was young he was the King of Broadway. His movies set some of my first standards for comedy. But, that was a long time ago and Mr. Simon hasn’t had a hit play in years. So, I’ve been reading plays by other authors. Still, when I heard of his death, I did something I haven’t done for a while: I read something Neil Simon wrote. Not his plays this time, but his memoirs. And I’m still thinking about what I read. Rewrites Rewrites is Simon’s memoir of the first half of his life, and to some extent, it’s like his early plays. This book covered his early, energetic years as a writer when hope was built on promise and potential. The book is a charmer, and it confirmed two things I guessed but didn’t know before. First, Simon’s stories all have strong autobiographical elements and that the art of plays is in the re-writing. [amazon_link asins=’0684835622′…