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The Right Book at the Right Time

There’s a theory that people come into our lives to teach us what we need to know.  They may be people we like or dislike and we may not always care for their lessons but the knowledge we gain from them helps move us through our lives.  I like that theory but I think it needs to be expanded to include books.  Along with entertainment and education, the right book at the right time can change a person’s future.  I’m still giving thanks for a book that came my way about twenty-five years ago.  I’ll always be indebted to Pat Conroy for writing The Prince of Tides. If anyone missed the announcements, Mr. Conroy writes stories about the perennial outsider.  Whether the focus is on a Marine’s family readjusting to a new environment or the English Major in a military college, his people don’t think they fit in the orderly pattern that makes up their world.  Because they don’t fit, Outsiders tend to stay on the defensive. The first lesson in The Prince of Tides  is how defending yourself can cost you everything you care for in life. Tom Wingo, the coach in The Prince of Tides has had good…

The Necessity of Redemption: A Moon for the Misbegotten

I nearly forgot I said this is a place to discuss, books, plays and short stories.  As long as I’m finally getting around to plays, I’d like to start out with a favorite: A Moon for the Misbegotten. Every person has life-changing experiences.  Some of these are obvious turning points like marriage or the death of a parent, some are not.  One of mine was a play I saw at age fifteen, a modern drama.  At fifteen, I couldn’t say why I identified with the characters or why it moved me so (other than it was a great performance) but the work and the author got under my skin for the rest of my adolescence.  It is still a singular piece though now I understand it a bit more.  It was written by Eugene O’Neill and it’s called “A Moon for the Misbegotten.” Few people outside of the theatrical world understand the impact of O’Neill but, to put it simply, he made American Drama human.  Theatrical plays written in this country before O’Neill were either broad comedies or melodramas.   I’m sure they were lots of fun to watch, containing virtuous heroes and dastardly villains but there was nothing an audience…